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Tuesday 5 August 2014

Neil Alden Armstrong



Neil Alden Armstrong (August 5, 1930 – August 25, 2012) was an American astronaut and the first person to walk on the Moon. He was also an aerospace engineer, naval aviator, test pilot, and university professor. Before becoming an astronaut, Armstrong was an officer in the U.S. Navy and served in the Korean War. After the war, he earned his bachelor's degree at Purdue University and served as a test pilot at the National Advisory Committee for Aeronautics High-Speed Flight Station, now known as the Dryden Flight Research Center, where he logged over 900 flights. He later completed graduate studies at the University of Southern California.
A participant in the U.S. Air Force's Man in Space Soonest and X-20 Dyna-Soar human spaceflight programs, Armstrong joined the NASA Astronaut Corps in 1962. He made his first space flight, as command pilot of Gemini 8, in 1966, becoming NASA's first civilian astronaut to fly in space. On this mission, he performed the first docking of two spacecraft, with pilot David Scott.[1]
Armstrong's second and last spaceflight was as mission commander of the Apollo 11 moon landing, in July 1969. On this mission, Armstrong and Buzz Aldrin descended to the lunar surface and spent two and a half hours exploring, while Michael Collins remained in lunar orbit in the Command Module. Along with Collins and Aldrin, Armstrong was awarded the Presidential Medal of Freedom by President Richard Nixon; President Jimmy Carter presented Armstrong the Congressional Space Medal of Honor in 1978; he and his former crewmates received the Congressional Gold Medal in 2009.
Armstrong died in Cincinnati, Ohio, on August 25, 2012, at the age of 82, after complications from coronary artery bypass surgery.[2][3]
Neil Armstrong was born on August 5, 1930, to Stephen Koenig Armstrong and Viola Louise Engel in Auglaize County, near Wapakoneta, Ohio.[4][5] He was of Scottish, Irish, and German ancestry and had two younger siblings, June and Dean. Stephen Armstrong worked as an auditor[6] for the Ohio state government; the family moved around the state repeatedly after Armstrong's birth, living in 20 towns. Neil's love for flying grew during this time, having gotten off to an early start when his father took his two-year-old son to the Cleveland Air Races. When he was five, he experienced his first airplane flight in Warren, Ohio on July 20, 1936 when he and his father took a ride in a Ford Trimotor, also known as the "Tin Goose".[7]
His father's last move was in 1944, back to Neil's birthplace, Wapakoneta, in Auglaize County. Armstrong attended Blume High School and took flying lessons at the grassy Wapakoneta airfield.[5] He earned a student flight certificate on his 16th birthday, then soloed later in August; all before he had a driver's license.[8] Armstrong was active in the Boy Scouts and earned the rank of Eagle Scout. As an adult, he was recognized by the Boy Scouts of America with its Distinguished Eagle Scout Award and Silver Buffalo Award.[9] On July 18, 1969, while flying towards the Moon inside the Columbia, Armstrong greeted the Scouts: "I'd like to say hello to all my fellow Scouts and Scouters at Farragut State Park in Idaho having a National Jamboree there this week; and Apollo 11 would like to send them best wishes". Houston replied: "Thank you, Apollo 11. I'm sure that, if they didn't hear that, they'll get the word through the news. Certainly appreciate that."[10] Among the very few personal items that Neil Armstrong carried with him to the Moon and back was a World Scout Badge.[11]
In 1947, at age 17, Armstrong began studying aeronautical engineering at Purdue University. He was the second person in his family to attend college. He was also accepted to the Massachusetts Institute of Technology (MIT). The only engineer he knew (who had attended MIT) dissuaded him from attending, telling Armstrong that it was not necessary to go all the way to Cambridge, Massachusetts, for a good education.[12] His college tuition was paid for under the Holloway Plan: successful applicants committed to two years of study, followed by three years of service in the U.S. Navy, then completion of the final two years of the degree. At Purdue, he earned average marks in his subjects, with a GPA that rose and fell during eight semesters. He was awarded a Bachelor of Science degree in Aeronautical Engineering in 1955, and a Master of Science degree in Aerospace Engineering from the University of Southern California in 1970.[13] Armstrong was later awarded honorary doctorates by several universities.[14]
In 1958, he was selected for the U.S. Air Force's Man In Space Soonest program. In November 1960, Armstrong was chosen as part of the pilot consultant group for the X-20 Dyna-Soar, a military space plane under development by Boeing for the U.S. Air Force, and on March 15, 1962, he was selected by the U.S. Air Force as one of seven pilot-engineers who would fly the space plane when it got off the design board.[41]
In the months after the announcement that applications were being sought for the second group of NASA astronauts, Armstrong became more and more excited about the prospects of both the Apollo program and of investigating a new aeronautical environment. Armstrong's astronaut application arrived about a week past the June 1, 1962, deadline. Dick Day, with whom Armstrong had worked closely at Edwards, saw the late arrival of the application and slipped it into the pile before anyone noticed.[42] At Brooks Air Force Base at the end of June, Armstrong underwent a medical exam that many of the applicants described as painful and at times seemingly pointless.[43]
Deke Slayton called Armstrong on September 13, 1962, and asked whether he would be interested in joining the NASA Astronaut Corps as part of what the press dubbed "the New Nine"; without hesitation, Armstrong said yes. The selections were kept secret until three days later, although newspaper reports had been circulating since earlier that year that he would be selected as the "first civilian astronaut."[44] Armstrong was one of two civilian pilots selected for the second group; the other was Elliot See, also a former naval aviator.[45] See was scheduled to command Gemini 9, but died in a T-38 crash in 1966 that also took the life of crewmate Charles Bassett. Armstrong was the first American civilian in space, but the first civilian was Valentina Tereshkova of the Soviet Union, nearly three years earlier. A textile worker and amateur parachutist, she was aboard Vostok 6 when it launched on June 16, 1963.
During the Apollo 11 launch, Armstrong's heart reached a top rate of 110 beats per minute.[67] He found the first stage to be the loudest—much noisier than the Gemini 8 Titan II launch—and the Apollo CSM was relatively roomy compared to the Gemini capsule. This ability to move around was suspected to be the reason why none of the Apollo 11 crew suffered from space sickness, while members of previous crews did. Armstrong was especially happy, as he had been prone to motion sickness as a child and could experience nausea after doing long periods of aerobatics.[68]
The objective of Apollo 11 was to land safely rather than to touch down with precision on a particular spot. Three minutes into the lunar descent burn, Armstrong noted that craters were passing about two seconds too early, which meant the Eagle would probably touch down beyond the planned landing zone by several miles.[69] As the Eagle's landing radar acquired the surface, several computer error alarms appeared. The first was a code 1202 alarm, and even with their extensive training, neither Armstrong nor Aldrin was aware of what this code meant. They promptly received word from CAPCOM Charles Duke in Houston that the alarms were not a concern; the 1202 and 1201 alarms were caused by an executive overflow in the lunar module computer. As described by Buzz Aldrin in the documentary In the Shadow of the Moon, the overflow condition was caused by his own counter-checklist choice of leaving the docking radar on during the landing process, so the computer had to process unnecessary radar data and did not have enough time to execute all tasks, dropping lower-priority ones. Aldrin stated that he did so with the objective of facilitating re-docking with the CM should an abort become necessary, not realizing that it would cause the overflow condition.
When Armstrong noticed they were heading towards a landing area which he believed was unsafe, he took over manual control of the LM, and attempted to find an area which seemed safer, taking longer than expected, and longer than most simulations had taken.[70] For this reason, there was concern from mission control that the LM was running low on fuel.[71] Upon landing, Aldrin and Armstrong believed they had about 40 seconds worth of fuel left, including the 20 seconds worth of fuel which had to be saved in the event of an abort.[72] During training, Armstrong had landed the LLTV with less than 15 seconds left on several occasions, and he was also confident the LM could survive a straight-down fall from 50 feet (15 m) if needed. Analysis after the mission showed that at touchdown there were 45 to 50 seconds of propellant burn time left.[73]
The landing on the surface of the Moon occurred several seconds after 20:17:40 UTC on July 20, 1969,[74] at which time one of three 67-inch (1.7 m)-long probes attached to three of the Lunar Module's four legs made contact with the surface, a panel light inside the LM lit up, and Aldrin called out, "Contact light." Armstrong shut the engine off and said, "shutdown." As the LM settled onto the surface, Aldrin said, "Okay. Engine stop", then they both called out some post-landing checklist items. After a ten-second pause, Duke acknowledged the landing with, "We copy you down, Eagle." Armstrong announced the landing to Mission Control and the world with the words, "Houston, Tranquility Base here. The Eagle has landed." Aldrin and Armstrong celebrated with a brisk handshake and pat on the back before quickly returning to the checklist of tasks needed to ready the lunar module for liftoff from the Moon should an emergency unfold during the first moments on the lunar surface.[75][76][77] After Armstrong had confirmed touch-down, Duke re-acknowledged, and expressed the flight controllers' anxiety: "Roger, ... Tranquility. We copy you on the ground. You got a bunch of guys about to turn blue. We're breathing again. Thanks a lot.".[72]
Although the official NASA flight plan called for a crew rest period before extra-vehicular activity, Armstrong requested that the EVA be moved to earlier in the evening, Houston time. Once Armstrong and Aldrin were ready to go outside, Eagle was depressurized, the hatch was opened and Armstrong made his way down the ladder first.
At the bottom of the ladder, Armstrong said "I'm going to step off the LEM now" (referring to the Apollo Lunar Module). He then turned and set his left boot on the surface at 2:56 UTC July 21, 1969,[78] then spoke the famous words "That's one small step for [a] man, one giant leap for mankind."[79]
Armstrong did not prepare his famous epigram in advance. In a 1983 interview with George Plimpton in Esquire Magazine, it was revealed that Armstrong "had produced the lines on his own ... and the words were composed not on the long trip up there, as had been supposed by most of his colleagues, nor beforehand but after the actual landing of Eagle on the moon's surface." He explained to Plimpton that "I always knew there was a good chance of being able to return to Earth, but I thought the chances of a successful touchdown on the moon surface were about even money—fifty-fifty ... Most people don't realize how difficult the mission was. So it didn't seem to me there was much point in thinking of something to say if we'd have to abort landing."[80]
Recordings of Armstrong's transmission do not evidence the indefinite article "a" before "man", though NASA and Armstrong insisted for years that static had obscured it. Armstrong stated he would never make such a mistake, but after repeated listenings to recordings, he eventually admitted he must have dropped the "a".[79] He later said he "would hope that history would grant me leeway for dropping the syllable and understand that it was certainly intended, even if it was not said—although it might actually have been".[81]
It has since been claimed that acoustic analysis of the recording reveals the presence of the missing "a";[79][82] Peter Shann Ford, an Australia-based computer programmer, conducted a digital audio analysis and claims that Armstrong did, in fact, say "a man", but the "a" was inaudible due to the limitations of communications technology of the time.[79][83][84] Ford and James R. Hansen, Armstrong's authorized biographer, presented these findings to Armstrong and NASA representatives, who conducted their own analysis.[85] Armstrong found Ford's analysis "persuasive."[86] However, the article by Ford was published on Ford's own web site rather than in a peer-reviewed scientific journal, and linguists David Beaver and Mark Liberman wrote of their skepticism of Ford's claims on the blog Language Log.[87] Thus, NASA's transcript continues to show the "a" in parentheses.[88]
When Armstrong made his proclamation, Voice of America was rebroadcast live via the BBC and many other stations worldwide. The estimated global audience at that moment was 450 million listeners,[89] out of a then estimated world population of 3.631 billion people.[90]

About 20 minutes after the first step, Aldrin joined Armstrong on the surface and became the second human to set foot on the Moon, and the duo began their tasks of investigating how easily a person could operate on the lunar surface. Early on, they unveiled a plaque commemorating their flight, and also planted the flag of the United States. The flag used on this mission had a metal rod to hold it horizontal from its pole. Since the rod did not fully extend, and the flag was tightly folded and packed during the journey, the flag ended up with a slightly wavy appearance, as if there were a breeze.[91] Shortly after their flag planting, President Richard Nixon spoke to them by a telephone call from his office. The President spoke for about a minute, after which Armstrong responded for about thirty seconds.[92]
In the entire Apollo 11 photographic record, there are only five images of Armstrong partly shown or reflected. The mission was planned to the minute, with the majority of photographic tasks to be performed by Armstrong with a single Hasselblad camera.[93]
After helping to set up the Early Apollo Scientific Experiment Package, Armstrong went for a walk to what is now known as East Crater, 65 yards (59 m) east of the LM, the greatest distance traveled from the LM on the mission. Armstrong's final task was to remind Aldrin to leave a small package of memorial items to deceased Soviet cosmonauts Yuri Gagarin and Vladimir Komarov, and Apollo 1 astronauts Gus Grissom, Ed White and Roger B. Chaffee.[94] The time spent on EVA during Apollo 11 was about two and a half hours, the shortest of any of the six Apollo lunar landing missions;[95] each of the subsequent five landings were allotted gradually longer periods for EVA activities—the crew of Apollo 17, by comparison, spent over 22 hours exploring the lunar surface.[95]
In a 2010 interview, Armstrong explained that NASA limited his moonwalk to two hours because they were unsure how the spacesuits would handle the extreme temperature of the Moon.[96]
In 2013, Popular Science's photo gallery included a photo that Armstrong took of Aldrin but his own image is visible on Aldrin's helmet as one of the best astronaut selfies.[97]
After they re-entered the LM, the hatch was closed and sealed. While preparing for the liftoff from the lunar surface, Armstrong and Aldrin discovered that, in their bulky spacesuits, they had broken the ignition switch for the ascent engine; using part of a pen, they pushed the circuit breaker in to activate the launch sequence.[98] The lunar module then continued to its rendezvous and docked with Columbia, the command and service module. The three astronauts returned to Earth and splashed down in the Pacific ocean, to be picked up by the USS Hornet.[99]
After being released from an 18-day quarantine to ensure that they had not picked up any infections or diseases from the Moon, the crew were feted across the United States and around the world as part of a 45-day "Giant Leap" tour. Armstrong then took part in Bob Hope's 1969 USO show, primarily to Vietnam.[100]
In May 1970, Armstrong traveled to the Soviet Union to present a talk at the 13th annual conference of the International Committee on Space Research; after arriving in Leningrad from Poland, he traveled to Moscow where he met Premier Alexei Kosygin. He was the first westerner to see the supersonic Tupolev Tu-144 and was given a tour of the Yuri Gagarin Cosmonaut Training Center, which Armstrong described as "a bit Victorian in nature".[101] At the end of the day, he was surprised to view delayed video of the launch of Soyuz 9—it had not occurred to Armstrong that the mission was taking place, even though Valentina Tereshkova had been his host and her husband, Andriyan Nikolayev, was on board.[1
Armstrong underwent vascular bypass surgery on August 7, 2012, to relieve blocked coronary arteries.[137] Although he was reportedly recovering well,[138] he died on August 25, in Cincinnati, Ohio, after complications resulting from the cardiovascular procedure.[3] After his death, Armstrong was described, in a statement released by the White House, as "among the greatest of American heroes—not just of his time, but of all time".[139][140] The statement further said that Armstrong had carried the aspirations of the United States' citizens and that he had delivered "a moment of human achievement that will never be forgotten."[141]

Monday 4 August 2014

Kishore Kumar

Kishore Kumar (4 August 1929 – 13 October 1987), was a popular Indian film playback singer, actor, lyricist, composer, producer, director, screenplay writer and scriptwriter.[1] He is considered one of the most successful playback singers of the Hindi film industry. He sang in many Indian languages including Bengali, Hindi, Marathi, Assamese, Gujarati, Kannada, Bhojpuri, Malayalam, Oriya, and Urdu. He won 8 Filmfare Awards for Best Male Playback Singer and holds the record for winning the most Filmfare Awards in that category. He was awarded the "Lata Mangeshkar Award" by the Madhya Pradesh government and from that year onwards, the Madhya Pradesh Government initiated a new award called the "Kishore Kumar Award" for contributions to Hindi cinema.
Kishore Kumar was born into the Bengali Ganguly family in Khandwa, Central Provinces and Berar (now in Madhya Pradesh) as Abhas Kumar Ganguly.[2] His father Kunjalal Ganguly (Gangopadhyay) was a lawyer and his mother Gouri Devi came from a wealthy Bengali family. Kunjalal Gangopadhyaya was invited by the Kamavisadar Gokhale family of Khandwa to be their personal lawyer. Kishore was the youngest of four siblings, the other three were Ashok (the eldest), Sati Devi, and Anoop.[3] While Kishore was still a child, his brother Ashok became a Bollywood actor. Later, Anoop also ventured into cinema with Ashok's help. Spending time with his brothers, Kishore became interested in films and music. He became a fan of singer-actor K. L. Sahgal—whom he considered his guru—and tried to emulate his singing style.[4]
After Ashok became a star of Hindi films, the Ganguly family visited Mumbai regularly. Abhas Kumar changed his name to Kishore and started his cinema career as a chorus singer at Bombay Talkies, where his brother worked. Kumar's first film appearance was in Shikari (1946), in which his brother Ashok played the lead role. Music director Khemchand Prakash gave Kumar a chance to sing "Marne ki duayen kyon mangu" for the film Ziddi (1948). After this, Kumar was offered many other assignments, but he was not very serious about a film career.[5] In 1949, he settled in Mumbai.[citation needed] Kumar played the hero in the Bombay Talkies film Andolan (1951), directed by Phani Majumdar. Although he got some acting assignments with the help of his brother, he was more interested in becoming a singer. Ashok wanted Kumar to be an actor like him.[6]
Kumar next starred in Bimal Roy's Naukri (1954) and Hrishikesh Mukherjee's directorial debut Musafir (1957). Salil Chowdhury, the music director for Naukri, was initially dismissive of Kumar as a singer when he found that Kumar had no formal training in music.[7] However, after hearing his voice, Chowdhury gave him the song Chhota sa ghar hoga, which was supposed to be sung by Hemant Kumar.[citation needed] Kumar starred in films New Delhi (1957), Aasha (1957), Chalti Ka Naam Gaadi (1958), Half Ticket (1962), and Padosan (1968). Chalti Ka Naam Gaadi (1958), his home production, starred the three Ganguly brothers and Madhubala. Kumar played a car mechanic who has a romance with a city girl (Madhubala) and a car mechanic and there is a subplot involving the brothers.[8]:29
Music director S. D. Burman is credited with spotting Kumar's talent for singing. During the making of Mashaal (1950), Burman visited Ashok's house, where he heard Kumar imitating K. L. Saigal. He complimented him and told him that he should develop a style of his own, instead of copying Saigal.[6] Kumar eventually developed his own style of singing, which featured yodeling, which he had heard on the records of Tex Morton and Jimmie Rodgers.[8]:60
Burman recorded with Kumar for Dev Anand's Munimji (1954), Taxi Driver (1954), House No. 44 (1955), Funtoosh (1956), Nau Do Gyarah (1957), Paying Guest (1957), Guide (1965), Jewel Thief (1967), Prem Pujari (1970), and Tere Mere Sapne (1971). He also composed music for Kumar's home production Chalti Ka Naam Gaadi (1958). Some of their songs were; "Maana Janaab Ne Pukara Nahin" from Paying Guest, "Hum Hain Rahi Pyar Ke" from Nau Do Gyarah (1957), "Ai Meri Topi Palat Ke Aa" from Funtoosh, and "Ek Ladki Bheegi Bhaagi Si" and "Haal Kaisa Hai Janaab Ka" from Chalti Ka Naam Gaadi (1958).[9] Asha Bhosle and Kumar performed duets composed by Burman including "Chhod Do Aanchal" from Paying Guest (1957), "Ankhon Mein Kya Ji" from Nau Do GyarahTemplate:Ankhon hi ankhon mein features Mohd Rafi and not Kishore Kumar (1957), "Haal Kaisa Hai Janaab Ka" and "Paanch Rupaiya Baara Aana" from Chalti Ka Naam Gaadi (1958) and "Arre Yaar Meri Tum Bhi Ho Gajab" from Teen Deviyan (1965).[10]
Music director C. Ramchandra also recognized Kumar's talent as a singer.[7] They collaborated on songs including "Eena Meena Deeka" from Aasha (1957). Kishore Kumar's work includes "Nakhrewaali" from New Delhi (1956) by Shankar Jaikishan, "C.A.T. Cat Maane Billi" and "Hum To Mohabbat Karega" from Dilli Ka Thug (1958) by Ravi, and "Chhedo Na Meri Zulfein" from Ganga Ki Lahren (1964) by Chitragupta.[citation needed]
Kumar produced, directed, acted in composed the music for Jhumroo (1961), and wrote the lyrics for the film's title song, "Main Hoon Jhumroo". Later, he produced and directed Door Gagan Ki Chhaon Mein (1964). He wrote the script and composed music for the film, which is about the relationship between a father (Kishore Kumar) and his deaf and mute son (played by his real-life son (Amit Kumar).[11]:52
In the 1960s, as an actor, Kishore Kumar built up a notoriety for coming late for the shootings or bunking them altogether.[12] His films flopped frequently and he landed in income tax trouble.[6] As a singer, his work in this period includes "Zaroorat Hai Zaroorat Hai" from Manmauji (1961), "Gaata Rahe Mera Dil" from Guide (1965), and "Yeh Dil Na Hota Bechara" from Jewel Thief (1967).
In the late 1960s, Rahul Dev Burman worked with Kishore Kumar on the soundtrack of the film Padosan (1968), in which Kumar sang "Mere Saamne Wali Khidki Mein" and "Kehna Hai." Padosan was a comedy in which Kumar as a dramatist-musician, Mehmood as a Carnatic music and dance teacher, and Sunil Dutt as a simpleton named Bhola. Kumar's character was inspired by his uncle, Dhananjay Bannerjee, a classical singer.[5] The highlight of the film was a musical, comical duel between Kishore Kumar-Sunil Dutt and Mehmood: "Ek Chatur Nar Karke Singaar."
In 1969, Shakti Samanta produced and directed Aradhana. He sang two songs in the film; "Meri Sapnon Ki Rani" and "Roop Tera Mastana". Shakti Samanta suggested that Kumar sing the other songs. When the film was released, Kumar's two songs established him as a leading Bollywood playback singer.[13] Kishore Kumar won his first Filmfare award for"Roop Tera Mastana".[11]:54
1970s and 1980s
S. D. Burman and Kumar continued to work together, including "Phoolon Ke Rang Se" and "Shokhiyon Mein Ghola Jaaye" from Prem Pujari (1969), "Aaj Madhosh Hua Jaaye Re," "Khilte Hain Gul Yahan" and "O Meri Sharmilee" from Sharmilee (1971), "Meet na mila" from Abhimaan (1973), and "Jeevan ki Bagiya mehkegi" from Tere Mere Sapne (1974). In 1975, S. D. Burman composed his last song for Kumar; "Badi Sooni Sooni Hai" for the film Mili.[7]
R.D. Burman recorded several songs with Kumar in the 1970s, including "O Maajhi Re" from Khushboo, "Yeh Shaam Mastaani" and "Yeh Jo Mohabbat Hai" from Kati Patang (1971), "Raat Kali Ek Khwab Mein Aayi" from Buddha Mil Gaya (1971) and "Chingari Koi Bhadke (Amar Prem)" and "Jab Bhi Koi Kangana" from Shaukeen (1986). Although he was not formally trained in the classical music, R.D. Burman often had Kumar sing semi-classical songs, such as "Hamein Tum Se Pyaar Kitna" from Kudrat and "Mere Naina Saawan Bhadon" from Mehbooba.[citation needed]
R.D. Burman recorded several duets pairing Kumar with Asha Bhosle and with Lata Mangeshkar, including "Panna Ki Tamanna" from Heera Panna (1973), "Neend Chura Ke Raaton Mein" from the film Shareef Budmaash, "Kya Yehi Pyaar Hai" from Sanjay Dutt's debut film Rocky (1981), "Jaane Ja Dhoondta" and "Kharoshoo" from Harjai (1982).[citation needed]
Apart from the Burmans, Kumar worked with other music directors. The composer duo Laxmikant-Pyarelal (L-P) composed many songs sung by him, including "Mere Mehboob Qayamat Hogi" from Mr. X In Bombay, "Mere Naseeb Mein Aye Dost" from Do Raaste, "Yeh Jeevan Hai" from Piya Ka Ghar, "Mere Dil Mein Aaj Kya Hai" from Daag, "Nahi Mai Nahi Dekh Sakta" from Majboor, "Mere diwanepan ki bhi" from Mehboob Ki Mehndi, "Naach Meri Bulbul" from Roti, "Chal Chal Mere Haathi" from Haathi Mere Saathi and "Tu Kitne Baras Ki" from Karz. L-P also worked with Kumar and Mohammed Rafi on duets for the films Dostana, Ram Balram and Deedaar-E-Yaar. L-P composed I love you (Kaate Nahin Katate Yeh Din Yeh Raat)" from Mr. India in (1987), a duet with Kumar and Alisha Chinoy. Salil Chowdhury recorded songs like "Koi Hota Jisko Apna" from Mere Apne and "Gujar Gaye Din Din" from Annadata. Ravindra Jain recorded "Ghungroo Ki Tarah" and the duets "Le Jaayenge Le Jaayenge" from Chor Machaye Shor and "Tota Maina Ki Kahani" from Fakira.[citation needed]
Khaiyyaam recorded Kumar's duets with Lata Mangeshkar, including "Hazaar Raahein" from Thodisi Bewafaii and Aankhon Mein Humne Aapke Sapne Sajaye Hain, Chandani Raat Mein Ek Bar. Hridaynath Mangeshkar recorded Zindagi Aa Raha Hoon Main from Mashaal. Kalyanji Anandji recorded several songs with Kumar including Zindagi Ka Safar and Jeevan Se Bhari Teri Aankhein, from Safar, O Saathi Re from Muqaddar Ka Sikandar and Pal Bhar Ke Liye from Johny Mera Naam.[citation needed]
Kumar worked with other composers including Rajesh Roshan, Sapan Chakraborty and Bappi Lahiri. Kumar sang Bhool Gaya Sab Kuchh (duet with Lata Mangeshkar) and Dil Kya Kare Jab Kisise for Rajesh Roshan's film Julie.[citation needed] Their other songs include Yaadon Mein Woh from Swami, Chhookar Mere Man Ko Kiya Toone Kya Ishaara from Yaarana and Kahiye, Suniye (duet with Asha Bhosle) from Baton Baton Mein. Bappi Lahiri also recorded many songs with Kishore Kumar, including Pag Ghunghroo Bandh from Namak Halaal (1982), Manzilen Apni Jagah Hai from Sharaabi (1984) and Saason Se Nahi Kadmose Nahi from Mohabbat in (1987) and duets with (Lata Mangeshkar)) like Albela Mausamand Pyar Ka Tohfa from Tohfa (1985). Kishore and Bappi pair also recorded hits in Bengali, including Chirodini Tumi Je Amar from Amar Sangee (1987) and E Amar Gurudakshina from Gurudakshina (1987). Another Bengali Musician was Ajay Das who made many hit songs using Kishore Kumar's voice.[citation needed]
During the Indian Emergency (1975–1977), Sanjay Gandhi asked Kumar to sing for an Indian National Congress rally in Mumbai, but he refused.[14] As a result, Information and broadcasting minister Vidya Charan Shukla (1975–1977) put an unofficial ban on playing Kishore Kumar songs on state broadcasters All India Radio and Doordarshan from 4 May 1976 till the end of Emergency.[15][16]